Nikon Z 6II Mirrorless Camera
When it comes to high quality cameras, few can match the power and functionality of mirrorless cameras. With the use of an interchangeable lens system, it lets you swap out lenses, so can equip the best one for any situation or scenario. If you’re ready to upgrade to the best mirrorless camera available, then you need the Nikon Z 6II 24.5MP Mirrorless Digital Camera (Body Only). This camera is capable of capturing high quality stills, and excellent 4K Ultra HD video at 60p, making it perfect for almost any occasion. It’s equipped with a 24.5MP BSI sensor, dual processors, and two card slots, so you can shoot and record as many shots as you’d like. This Nikon camera also has excellent low-light capabilities, next-generation autofocus, and is capable of high-speed shooting. Plus, it has wireless connectivity options, so you can sync the camera to your smartphone or laptop. Once you see the versatility of the Nikon Z 6II Mirrorless Camera, you’ll know it’s the perfect camera for beginners and professionals alike.
The Nikon Z 6II Mirrorless Camera is the first Nikon camera to be powered by two EXPEED 6 processing engines. This results in the camera having faster image processing, more buffer capacity, and more overall speed. This camera is truly the best mirrorless camera for professionals, as it’s capable of 14 FPS continuous shooting at full resolution, both in RAW or JPG format. It’s also the best mirrorless camera for video, as it can record detailed 4K Ultra HD at 60p, Full HD at 120p, 4K time-lapse, and much more. Since you’ll be recording for a long time, the camera has two card slots. One slot is designed for CFExpress (Type B) and XQD cards, while the other is for standard SD cards. These options make it easier for you to decide how to organize your photos and videos while shooting and recording.
BuyDig.com knows the ins and outs of the best Nikon mirrorless cameras. Our dedicated and caring staff is always available to help consumers through the sometimes confusing buying process. We also have the knowledge and expertise to help shoppers find exactly what they’re looking for in a purchase. If you are unsure of which camera to purchase, please try calling our customer service center, and they will be happy to help you decide on the right mirrorless camera for your needs, and budget. If you have questions regarding the Nikon Z 6II FX-Format Mirrorless Digital Camera with w/NIKKOR Z 24-70mm f/4 S Lens, contact us today, and see how our appreciation of shoppers leads to better deals on some of the best products on the market.
Nikon Z 6II
True multimedia powerhouse.
Do it all with this versatile full frame mirrorless hybrid that excels in speed, image quality and video performance. Everything a hybrid still and video mirrorless camera is meant to be. High-speed shooting with the buffer capacity to match. 4K Ultra HD video at 60p. 273-point Hybrid AF system with more options. Outstanding low-light capabilities. Dual processors. Dual card slots. Wireless connectivity with smartphones and laptops. Tons of creative features and that’s just the beginning.
This is what a hybrid still and video mirrorless camera is meant to be. 24.5MP BSI sensor and high-speed shooting with the buffer capacity to match. 4K Ultra HD video at 60p*. Outstanding low-light capabilities. Next-generation autofocus. The power of dual processors. Two card slots. Tons of creative features. Flexible power options. Compatibility with a vertical battery grip. Wireless connectivity with smartphones and laptops and so much more. The Z 6II builds on the extreme versatility of the Z mirrorless platform with more autofocus options, more video capabilities, more low light performance, more buffer, more frames per second…more of everything you want in a hybrid still and video camera.
Key Features:
Dual processors.
For the first time in a Nikon camera, the Z 6II is powered by not one, but two EXPEED 6 processing engines. They work together for faster image processing, more buffer capacity and more overall speed.
Dual card slots.
Now you have options. One slot accepts CFExpress (Type B) and XQD cards. The other slot accepts standard SD cards. Use the format you prefer. Or use both slots and separate video and still files or RAW and JPEG, create a backup or maximize your onboard storage.
High-speed shooting.
Experience 14 FPS* continuous shooting at full resolution—RAW or JPG—with a buffer 3.5X larger than the previous generation and minimal EVF blackout between shots.
4K Ultra HD at 60p.
Record incredibly detailed 4K Ultra HD footage with full-pixel readout. Capture in your choice of frame rates including ultra smooth 60p* with an upcoming firmware upgrade.**
Go vertical.
Introducing the MB-N11, the pro-level grip for the Z 6II. Shoot vertically with comfortable controls—shutter release, command dials, Fn button and more—and get up to a 1.9x increase in battery performance*.
More autofocus
Optimized for stills, high-speed sequences and video work, the Z 6II’s 273-point Hybrid AF system brings performance improvements, new options for Eye-Detection AF and easier selecting of AF modes.
See in the dark.
With a big leap forward in low-light autofocus performance, the Z 6II can find your subject in half the available light as its predecessor*. Keep shooting into the evening with the same fast, accurate AF performance.
Edge-to-edge coverage.
The AF system’s 90% frame coverage lets you compose the way you want, from the start. Either manually choose one of 273 focus points across the frame, or let subject tracking automatically select the focus points based on where your subject is within the frame—even at the far edges.
Eye-Detection. Better than ever.
Nikon’s intelligent Eye-Detection AF quickly identifies and locks onto eyes—either humans, dogs or cats—for properly focused portraits. The Z 6II builds on the system with accuracy enhancements and more flexibility.
Right on target.
Now you can use Wide-Area (L) Mode to set boundaries for eye detection. Select an area of the frame, and the Z 6II will only look for eyes there—great for busy scenes, group shots and pet portraits.
Capture the eyes. On Video.
All of these features of Eye-Detection AF are also available during video recording. Easily track moving subjects and keep footage looking sharp and professional on the eyes.
Video star.
The Z 6II builds on the Z 6’s formidable video capabilities and might just be Nikon’s most versatile video camera yet. All the benefits of the Z mirrorless system plus 4K Ultra HD at 60p*, Full HD at 120p, 4K time-lapse and so much more.
Slow it way down.
Slow down time and capture every detail of movement with 120p Full HD footage that can be played back at 30p, 25p or 24p. Add silky smooth slow motion sequences to your videos to add emphasis and drama or highlight movement.
The stability you need.
Powerful 5-axis VR image stabilization keeps your photos sharp and your videos steady—up to five stops in up to five directions* (yaw, pitch, roll, X and Y). Handheld shooting made easy.
Reverse focus rotation.
If you’ve been using non-Nikon lenses for video work, the Z 6II lets you reverse the focus ring rotation on NIKKOR Z lenses. Your muscle memory will thank you.
Multiple Exposure
Combine up to 10 exposures into one visionary composition. Compose and blend—right in the viewfinder—while shooting, or go back later and combine shots with in-camera Retouch features.
900-second Exposures
Paint with light. Track the paths of stars. Capture movement like never before with long exposures up to 900-seconds. Use your smartphone to trigger the shutter to avoid camera vibrations.
Focus Shift Shooting
The Z 6II will take a series of up to 300 photos, each with an incrementally adjusted focus position. Use third-party software to combine (focus stack) the photos into a single image with surreal depth of field and sharpness.
Time-Lapse
Making time-lapse sequences is as easy as setting up the camera and hitting record. The Z 6II will create a 4K time-lapse movie and save all the full resolution stills (when used with interval timer shooting).
Tweak. Shoot. Create.
Add another element of uniqueness and artistry to your photos and videos with 20 Creative Picture Controls, all visible in real time while you shoot, either through the viewfinder or on the tilting touchscreen display.
Go remote.
When you can’t be behind the lens, pull out your compatible smartphone and use it to control the Z 6II. See what the camera sees, change settings like aperture, shutter speed and white balance, then remotely fire the shutter or start and stop recording.
Any file. Any format.
Transfer full resolution RAW images, JPGs and even 4K video files right to your phone, wirelessly. Then use your favorite apps for editing, adding filters and sharing.
Live stream like a pro.
Stream the sharpest, clearest, most flattering footage from the Z 6II with Nikon’s free Webcam Utility. When using a single USB-C connection, your computer will actually power the Z 6II while capturing video. Stream for as long as you need without any extra cables, power adapters or third-party hardware.
One cable does it all.
With one universal USB Type C cable (sold separately), you can provide constant power to the Z 6II, charge your battery, stream footage and transfer photos and videos. When shooting time-lapses away from a power source, get extra shoot time with a portable power bank like the Anker1 Powercore+ 26800 mAh Portable Charger.
That just-right feel.
Like all Nikon cameras, the Z 6II handles like a dream. A deep grip design. Balanced weight. Sturdy build with smart button placement. Even the EVF is thoughtfully extended to prevent your nose from pressing up against the back of the camera.
Tough. As expected.
The Z 6II is ready for what’s next. Its skeleton is forged from Magnesium Alloy for an optimal balance of strength and lightness. Its exterior is fully weather sealed to keep dust, grime and moisture out. Don’t baby this baby.
More clarity. Less blackout.
Experience the best view through the Z 6II’s advanced viewfinder with minimal blackout between shots during high speed shooting (Continuous H). Nikon optics magnify the 3.6M-dot Quad-VGA EVF, and what you see is how your shot will look. Exposure, ISO, white balance, Picture Control and creative filters are all applied in real-time. You can customize what information gets shown in the viewfinder—or hide it all for a pure view.
Make it yours.
Prefer back button focus? Often switch between Picture Controls? Need a quick way to select focus area? No problem. Add your favorite functions to the i-Menu then access them from the LCD or EVF. Customize Fn buttons or reassign buttons you don’t typically use to activate your go-to modes, menus or settings. Navigating the camera’s intuitive, clean user interface is a breeze.
Made for Z-Mount lenses.
Breakthroughs of the Z Mount, the largest full frame lens mount of any system, have given way to some of the most advanced, optically pristine lenses ever—NIKKOR Z. The Z 6II is compatible with them all, each one delivering a new perspective and drawing peak performance from the camera.
Tech Specs
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Type
Digital camera with support for interchangeable lenses
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Lens Mount
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Effective Pixels (Megapixels)
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Sensor Size
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Image Sensor Format
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Image Sensor Type
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Total Pixels
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Dust-Reduction System
Image Dust Off reference data (requires Capture NX-D); image sensor cleaning
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Image Area (pixels)
FX-format
(L) 6,048 x 4,024
(M) 4,528 x 3,016
(S) 3,024 x 2,016
DX-format
(L) 3,936 x 2,624
(M) 2,944 x 1,968
(S) 1,968 x 1,312
1:1 (24 x 24)
(L) 4,016 x 4,016
(M) 3,008 x 3,008
(S) 2,000 x 2,000
16:9 (24 x 24)
(L) 6,048 x 3,400
(M) 4,528 x 2,544
(S) 3,024 x 1,696
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160
Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080
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File Format Still Images
NEF (RAW): 12 or 14 bit (lossless compressed, compressed, or uncompressed); large, medium, and small available (medium and small images are recorded at a bit depth of 12 bits using lossless compression)
TIFF (RGB)
JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; optimal quality compression available
NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
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Storage Media
SD (Secure Digital) and UHS-II compliant SDHC and SDXC memory cards
CFexpress (Type B)
XQD Type Memory
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File System
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Viewfinder
1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls
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Viewfinder Frame Coverage
Approx. 100% horizontal
100% vertical
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Viewfinder Magnification
Approx. 0.8x (50 mm lens at infinity, -1.0 m -1)
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Viewfinder Eyepoint
21 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens)
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Viewfinder Diopter Adjustment
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Eye Sensor
Automatically switches between monitor and viewfinder displays
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Shutter Type
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter
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Shutter Speed
1/8000 to 30 sec. (choose from step sizes of 1/3 and 1/2 EV, extendable to 900 sec. in mode M), bulb, time, X200
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Flash Sync Speed
Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported
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Exposure Metering System
TTL metering using camera image sensor
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Metering Range
Highlight-weighted metering: -4 to +17 EV
(ISO 100, f/2.0 lens, 20 °C/68 °F)
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Exposure Compensation
-5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M
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Exposure Lock
Luminosity locked at detected value
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Picture Control
Auto
Flat
Landscape
Monochrome
Neutral
Portrait
Standard
Vivid
Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon)
Selected Picture Control can be modified
Storage for custom Picture Controls
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ISO Sensitivity
ISO 100 - 51,200 in steps of 1/3 or 1/2 EV
Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control available
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Active D-Lighting
Can be selected from:
Auto
Extra High
High
Normal
Low
Off
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Active D-Lighting Bracketing
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Autofocus System
Hybrid phase-detection/contrast AF with AF assist
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Detection Range
-4.5 to +19 EV (-6 to +19 EV with low-light AF)
Detection range (ISO 100, f/2.0 lens, 20 °C/68 °F)
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Lens Servo
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus tracking
Manual focus (M): Electronic rangefinder can be used
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Focus Point
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AF-Area Mode
Pinpoint
Single-Point
Dynamic-area AF
Wide-area AF (S)
Wide-area AF (L)
Wide-area AF (L-people)
Wide-area AF (L-animals)
Auto-area AF
Auto-area AF (people)
Auto-area AF (animals)
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Focus Lock
Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector
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Vibration Reduction
5-axis image sensor shift
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Flash Control
TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering
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Flash Sync Modes
Front-curtain sync
Rear-curtain sync
Red-eye reduction
Red-eye reduction with slow sync
Slow rear-curtain sync
Slow sync
Off
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Flash Compensation
-3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M
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Flash-ready Indicator
Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output
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Accessory Shoe
ISO 518 hot-shoe with sync and data contacts and safety lock
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Nikon Creative Lighting System (CLS)
i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control
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White Balance
Auto (3 types)
Choose color temperature (2,500 K–10,000 K)
Cloudy
Direct sunlight
Flash
Fluorescent (7 types)
Incandescent
Natural light auto
Preset manual (up to 6 values can be stored), all with fine-tuning
Shade
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White Balance Bracketing
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Movie Metering
TTL exposure metering using main image sensor
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Movie Maximum Recording Time
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Movie File Format
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Movie Audio Recording Format
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Movie
4K UHD 3,840x2,160 / 30 fps
4K UHD 3,840x2,160 / 25 fps
4K UHD 3,840x2,160 / 24 fps
Full HD 1,920x1,080 / 120 fps
Full HD 1,920x1,080 / 100 fps
Full HD 1,920x1,080 / 60 fps
Full HD 1,920x1,080 / 50 fps
Full HD 1,920x1,080 / 30 fps
Full HD 1,920x1,080 / 25 fps
Full HD 1,920x1,080 / 24 fps
Full HD 1,920x1,080 slow-mo / 30 fps x4
Full HD 1,920x1,080 slow-mo / 25 fps x4
Full HD 1,920x1,080 slow-mo / 24 fps x5
Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively
Quality selection available at all sizes except 3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-motion, when quality is fixed at m
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Movie Audio
Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted
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Movie ISO
Auto ISO sensitivity control (ISO 100 to 51,200)
M: Manual selection (ISO 100 to 51,200; choose from step sizes of 1/3 and 1/2 EV); with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control (ISO 100 to Hi 2.0) available with selectable upper limit
P, S, A: Auto ISO sensitivity control (ISO 100 to Hi 2) with selectable upper limit
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Movie Active D-Lighting
Can be selected from:
Auto
Extra High
High
Normal
Low
Off
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Time Code
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Movie Log Gamma Output
Logarithmic (N-Log) and HDR (HLG) movie output with View Assist (HDMI output only)
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Movie e-VR
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Movie HDMI Output
Yes, up to 12 bit
Start/Stop supported
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Movie Focus Peaking
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Movie Highlight Display (Zebras)
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Time-Lapse Movie
Up to 4K UHD; Silent mode option
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AF for Movie
AF Speed and AF Tracking Sensitivity can be adjusted
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Monitor Size
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Monitor Type
Tilting TFT
Touch-Sensitive LCD
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Playback Functions
Auto Image Rotation
Full-frame and Thumbnail (4, 9, or 72 images)
Highlights
Histogram Display
Location Data Display
Movie Playback
Photo and/or Movie Slide Shows
Photo Information
Picture Rating
Playback with Playback Zoom
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Wi-Fi Functionality
Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania)
Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico)
Standards: IEEE 802.11b/g/n/a (other countries in the Americas)
Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania)
Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas)
Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico)
Operating frequency: 2412–2462 MHz (channel 11) and 5745–5805 MHz (Georgia)
Operating frequency: 2412–2462 MHz (channel 11) and 5180–5320 MHz (other European countries)
Maximum output power (EIRP): 2.4 GHz band: 2.9 dBm
Maximum output power (EIRP): 5 GHz band: 5.7 dBm (Georgia)
Maximum output power (EIRP): 5 GHz band: 8.7 dBm (other countries)
Authentication: Open system, WPA2-PSK
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Smart Device App Connectivity
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Bluetooth
Communication protocols: Bluetooth Specification
Version 4.2
Operating frequency: Bluetooth: 2402–2480 MHz
Bluetooth Low Energy: 2402–2480 MHz
Maximum output power (EIRP)
Bluetooth: –0.3 dBm
Bluetooth Low Energy: –1.8 dBm
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GPS
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Supported Languages
English
French
Portuguese (Brazil)
Spanish
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Battery / Batteries
One EN-EL15c rechargeable Li-ion battery
EN-EL15b/EN-EL15a/EN-EL15 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL15c. The EH-7P charging AC adapter can be used to charge EN-EL15c/EN-EL15b batteries only.
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Battery Life (shots per charge)
Photo Mode: Number of Shots
Viewfinder only with Energy saving mode enabled: Approx. 400 shots
Viewfinder only with Energy saving mode disabled: Approx. 340 shots
Monitor only with Energy saving mode enabled: Approx. 450 shots
Monitor only with Energy saving mode disabled: Approx. 410 shots
Movie Mode: Length of Footage
Viewfinder only: Approx. 100 minutes
Monitor only: Approx. 100 minutes
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AC Adapter
EH-7P Charging AC Adapter
EH-5d/EH-5c/EH-5b AC Adapter (requires EP-5B power connector, available separately)
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Battery Charger
Kit Lens
Focal Length |
24 to 70mm |
Maximum Aperture |
f/4 |
Minimum Aperture |
f/22 |
Angle of View |
84° to 34° 20' |
Maximum Magnification |
0.3x |
Minimum Focus Distance |
11.81" / 30 cm |
Optical Design |
14 Elements in 11 Groups |
Diaphragm Blades |
7, Rounded |
Focus Type |
Autofocus |
Image Stabilization |
No |
Filter Size |
72 mm (Front) |